The inspiration comes from the plants’ cells experiments done by a witch in her laboratory.

“Interspecies conversation”

This collection brings together several works exploring sea creatures through hand embroidery, all of which are newly created for this exhibition.

In my project, I draw attention to the processual nature of ceramic material, understood as its ability to shape itself, to become, and not merely to reflect the creator's intentions.

Places holding memories - Memories holding places
Peeling walls become a physical record of time and human presence.

Closer Collection - Dialog Between the Jewellery and Human Body

Taxonomy of a Straw Bundle is a material-led investigation into rye straw as a hyperlocal, regenerative material.

Shavings Column is a luminous object where thin wood shavings form a fragile skin around a transparent core.

My 3D-printed work explores my dialogical relationship with clay by examining how somatosensory experiences shift when transitioning from making by hand to a technological approach through the lens of neurodivergence.

I replace the physical, numerical, tangible meaning of the word weight, with its figurative one, more difficult to quantify because of internal and external reasons.

“Barren: A wasteland, devoid of life, bleak and fruitless.”

The Hollow(core) Bench is part of an ongoing body of work exploring how objects can register human presence and carry emotional trace.

Bees have been called the most important living organisms on Earth.

Phygital Landscapes of my Youth is a window into my upbringing amongst the varied terrain of California.

“SOLAR-“ examines how large-scale energy infrastructures reshape landscapes and cultural memory.

This collection of three mirrors explores reflection not as faithful representation, but as an encounter with light and material.

The Terrazzo Jewellery Boxes are part of my Terrazzo Collection, made from coloured porcelain with hand-finished terrazzo patterns.

Vessels 001 comes from a series of punch needle textile works exploring containment as both form and metaphor.

The Timbre collection began with a technical challenge: how to create a continuous 360° wavy joint using contrasting timbers.

The Takhat Counter Stool continues my exploration of weight, memory, and material responsibility within my collection The Alchemy of Our Fibres. 

ECHOES  is a handwoven steel wire sculpture inspired by the traditional Sardinian Mamuthones masks. The piece explores the boundary between ancestral ritual and contemporary craftsmanship.

Apricity is a collection of sculptural porcelain lighting inspired by the Latin derivation of this word, meaning “the warmth of the winter sun”.

TSUGI is an ongoing textile series that examines how traditional weaving can continue across shifting cultural and material contexts.

Perpetual Ash: Smoker’s Lung, transforms cigarette ash, often associated with disgust and insignificance, into intricate glazed vessels, challenging perceptions of value and revealing the potential within what seems like ‘nothing’.

This collection explores material memory through glazed porcelain forms defined by tension and precision.

This collection explores how fibre can behave like terrain, holding pressure, shifting under tension, and revealing slow, geological transformations.

The preliminary printing of this series was completed in collaboration with master paper maker Petra Fuzes at the Paper Mill Orfu.

In my response to designing for Verdi’s opera Un Ballo in Maschera, I decided to focus on textures and materials; letting their visual and symbolic properties lead the design.

Yiwei Huang is a jewellery designer and maker based in London, working with a range of metals and organic materials. She graduated from the MA Fashion Artefact and BA Fashion Jewellery programmes at London College of Fashion. Her work has been exhibited in European group jewellery exhibitions, including ENJOIA’T in Spain and Inflow in Hungary, and shown at galleries and museums such as the Victoria and Albert Museum, Kensington. Her practice explores questions of genuine human connection within a technology-driven, fast-paced world.

This collection originates from a personal observation: that the remnants left behind in the process of making felt more significant than the finished work itself.

Antaral: 80 hours between breathes 

Disturbance is a sculptural installation comprising carved yew forms and cast pewter elements.

Yuze Pan (b. 2001, Heilongjiang) graduated from the Metal Craft and Jewellery Studio at the Central Academy of Fine Arts and is currently pursuing an MA in Jewellery & Metal at the Royal College of Art, London. His practice focuses on applied arts, exploring the properties of metal materials and their extended meanings. His work centres on boundaries, binary relations, and spatial transformation. Rooted in observations of his surrounding environment, he investigates potential connections between cultures, between people and objects, and between events. He draws on this interwoven state of making—together with a sensitive perception of the environment and an ability to synthesise abstractions—to translate lived experiences into works with a distinctive aesthetic language. Awards: 2026 GCDC.

e.L.s designs is a Glasgow-based textile artist who graduated with a BA (Hons) in Textiles from The Glasgow School of Art in 2024. Working primarily with colour thread warping on canvas and cork, their practice explores structure, movement, and materiality through complex, one-of-a-kind surfaces. Blending traditional textile processes with contemporary design, e.L.s designs is expanding into wood, stone, and interior-led applications. Their work sits at the intersection of craft, art, and functional design, celebrating texture, rhythm, and innovative material use.

Our Collective Wisdom is an ongoing series of textile works that investigates how language can be experienced through time and material.

This project is a collection of small-scale furniture made from reclaimed materials and modular ceramic components.

The Buddha cameo within this leaf-shaped pendant functions as a pan-ancestral vessel rooted in East Asian cultural cosmology.

Silver fork pendants and necklaces rest within a translucent frame, as the pendulum of time swings.

This contemporary jewelry collection explores memory, material, and invisible labor through transparency and trace.

Desire–Healing Landscape investigates desire as a fluid energy of transformation through Eastern philosophy.

Moving to the Netherlands, I encountered the daily presence of condensation on my windows.

In a world driven by technological acceleration, I seek stillness to heal my anxiety of losing position in the world.

Chronostasis depicts time standing still: butterflies resting for a moment, only to vanish in the blink of an eye.

Dream Residues originates from a state suspended between wakefulness and dreaming.

Zifan Sun is a London-based artist and photographer whose work explores memory, human connections, and the sense of belonging. With a background in architecture from Scotland, she navigates the interplay of space, light, and cultural identity. Her journey spans cities and cultures, from China to London and beyond, shaping a nuanced perspective on place and self. Through her art, she reflects on the complexity of migration and the fluid nature of home, capturing fleeting moments that bridge personal history with collective experience.

‘THROWN AND ASSEMBLED’

Missed is a rose petal wall that blends nature and technology—real petals interwoven with digitally crafted metal ones, made through 3D printing and anodizing.

This collection explores the creative potential of upcycling through the transformation of discarded ironing boards into playful, functional chairs.

This project began with a small, personal moment.

This painting marks my first attempt to give visual form to a long-standing emotional state—something difficult to articulate, yet quietly persistent.

Title: Within the Line, Beyond the Snow

This painting is part of Hyunah Koh’s Generative Soul series, where the surface becomes a living ecosystem, a space of transition, transformation, and tactile imagination.

Thing in Itself is a design inquiry into the fluidity of masculinity and identity, articulated through a reversible tailored suit with multifunctional structures.

Celestial Stones Collection

This collection features two works from my ongoing Hwado series and two new pieces from my emerging Sea collection.

Glass Dunes

Z.X. Zhao is a jewellery artist and designer from Guangzhou, China, currently residing in the United Kingdom. She earned a BA in Jewellery Design from the University of the Arts London and later completed her MA in Jewellery and Metal at the Royal College of Art. Her early interest in systems like the I Ching and Tarot sparked a curiosity about how people find spiritual comfort—not only through symbolism or prediction but also through personal rituals of reflection and connection. This curiosity deepened as she faced a long-term struggle with insomnia, prompting her to explore more grounded and sensory approaches to supporting emotional well-being. Rather than treating healing as an abstract concept, Zhao engages with the five senses—especially scent and sight—to create wearable pieces that provide calmness and a sense of gentle protection. Her work combines natural fragrances, body adornment, and domestic-scale installations, blurring the line between jewellery and emotional space. Through these intimate objects, she invites moments of quiet restoration into everyday life.

Latent RADDicals is a design research project and exhibition exploring Resource Availability Driven Design (RADD), a workflow for building with unpredictable, discarded materials like wood, stone, and architectural waste. When conventional manuals don't exist, we turn the unknown into a design driver.

"From Dust, To Dust" is inspired by dust, which is both material and infinitely close to nothingness, and is the "breath of matter".

This collection reflects a personal journey of reconnection—with nature, with self, and with emotional freedom.

Using a two-channel video narrative mode, we try to contrast the situation of fish with the state of human beings.

Youyang Zhao is a metal artist based in London, specializing in handcrafted metal vessels and lacquerware. A graduate of the Royal College of Art, Zhao’s practice explores the expressive possibilities of traditional craftsmanship and materials. His work focuses on the interplay between form, surface, and the tactile qualities of metal, creating refined objects that celebrate both innovation and heritage.

The boundaries of time are like blurred markers within the flow of time. We live within time as fish live in water-breathing, drifting, like clouds in the sky or ripples on the sea.

The Artisans of Paris is a photographic collection that celebrates craftsmanship and the profound art of creation.

We Have Forgotten More Than We Remember
Found objects and British rush
2025

A poetic exploration of absence and becoming, where fragile roots and hollow traces reveal identity, memory, and transformation within quiet states.

The body of work “On your way home” is inspired by my father’s journey home as a schoolboy in Jamaica. 

This series of artworks encompasses the unconventional application of techniques such as chiaroscuro (sfumato)and etching within digital creations.

As I am moving through different grounds the houses I lived in distort in my memory.

My Scandinavian Forest collection of big necklaces and rings is inspired by and made from the awe-inspiring wild forests and dramatic landscapes of Norway, which we travelled through in our van last summer.

The work explores the threshold between material intuition and metaphysical form.

This project transforms invisible magnetic flows into visual, sonic, and spatial experiences, challenging our perception of reality and social order.

Dionysian City is a project grounded in in-depth research and immersive fieldwork across London.

‘Rhapsody in Brass’  is a personal and expressive jewellery collection that explores the intersection of music, memory, and making.

In 2021, Ohata developed a method for creating artificial skin textiles embedded with their own skin texture, first showcased in a Haori jacket referencing Hyakkiyakou Emaki, a historic Japanese scroll depicting Yōkai folklore.

Out of Focus, In the Moment is a visual poem that pays tribute to warmth, movement, and mystery.

Part I, ‘Find Shan-shui in London’ : London’s skyline is translated into shan-shui ink panels; 1-point laser surveys set the geometry, while dilute carbon ink maps human scale against steel “mountains.”

My collection FLOW explores water’s many states—fluid, solid, mineralized, reflective—as metaphors for emotional transformation, adaptability, and resilience.

This series explores how we can healthily cope with pressure—especially when no one teaches us how.

The Learning Market emerged from a personal process of intuitive construction during a time of social upheaval.

Summer Solstice · Rooted in Transition is a cast-glass sculpture that captures the tensile energy of midsummer’s threshold.

Yu Chi Cheung was born in Hong Kong and is currently based in London. They graduated from Central Saint Martins in BA(Hons) Ceramic Design.

With a background in fine and the performing arts, they channel their experiences into their current ceramic practice. Their current work bridges the gap between illustration and ceramics. They focus on the development of surface design through the alteration of the traditional making process.

Their work is illustrative, narrative, and they find fulfilment in detail. They frame the beauty in the mundane, treasuring the fragile moments in life. Finding significance in the insignificant, and the soul of the big picture.

Stitch is a hand-carved wooden bowl made from two London trees: a black ash tree from Ealing and a plum tree from Camden.

Born in China and shaped by a multicultural upbringing, Youwei Luo spent his teenage years in Morocco before settling in London, where he is now based. His early interest in form and structure grew into a broader investigation of spatial and visual language through sculpture and computational art. Informed by personal history and cross-cultural experience, his work explores the relationship between physical and digital media. Through abstraction and process-based experimentation, Luo engages with ideas of transformation, memory, and the shifting nature of identity. Luo continues to expand his practice through material exploration and conceptual research, with a focus on how contemporary experience can be expressed through visual form and constructed space.

Unfastened is a performance and material study that explores the act of undoing as a form of embodied knowledge.

Yoyojin’s practice explores the relationship between image and peace, and the meaning of individual existence within politically complex social systems. Working across illustration, animation, AI, sound, and live painting performance, he approaches multilayered contemporary issues with a strong sense of empathy.
His nearly ten years of living and working in Zambia continue to shape his artistic vision deepening his commitment to cross-cultural dialogue and reinforcing his belief in art as a powerful tool for human connection.

This collection explores space as a site of emotional memory, autonomy, and quiet resistance.

ESCAMA is a collection of stools made in collaboration with Virô, a company that collects leftover materials from the scenography industry.

Yilin is a ceramic artist and craftswoman based between London and Jingdezhen. She specializes in figurative and innocent pieces, characterized by delicate colors and brushstrokes inspired by watercolor techniques.

This series explores the long-lasting impact of childhood sexual violence experienced by myself and two close friends.

My Shanzhai Theory explores the entanglement of language, meaning, and cultural hegemony through material poetics.

My practice bridges ancient craft, storytelling, and contemporary ceramics through a deep exploration of materiality.

Negative Gaze series is based on the power geometry of shirt collars, exploring the fluidity of power, identity, and visual control through folded metal structures.

Finger Food investigates the cultural themes around food and sharing through the lenses of South Asian heritage, art, and design.

“Confluência” is a hand-made sculptural jewellery collection that explores the transformative relationship between material, body, and meaning.

‘The Humble Needle’ was an opportunity to navigate my own position amongst a lineage of seamstresses.

This project explores time through the process of forging and seeks to make the act of thinking visible.

“Self-Generated Phytoncide” is a drawing-based collection that reawakens imagination and transforms it into material form.

Zhuoqi experienced in working across multiple sensory media, with a focus on the interaction between sound, jewelry, and the body. Skilled in music production, workshop facilitation, and the application of media technology and sensors in healing and sensory practices. Demonstrates strong interdisciplinary capabilities in integrating art, material and technology.

This project explores a sense of place through the raw materiality of the River Thames.