Ekta Bagri

"Faces of Flame" is a wood-fired ceramic installation that embodies my exploration of the relationship between fire, material, and form. This series is an ode to the transformative power of fire and its role in the alchemical process of ceramics.

The genesis of "Faces of Flame" lies in my fascination with the dynamic interplay between flames and clay. Each piece in this series is crafted from reduction clay and other local materials, and then subjected to a rigorous wood-firing process that spans up to 72 hours. The firing process is an intense and meditative practice that requires constant vigilance. As the temperature in the kiln rises to 1300°C, the flames dance around the pieces, depositing layers of ash that create a natural glaze. This glaze, formed from the ashes of waste wood, results in unique textures and patterns that are impossible to replicate through conventional glazing methods.

The installation reflects my commitment to sustainability and the use of waste materials in art. By utilizing discarded wood and other by-products as fuel for my kilns, I aim to reduce waste and promote circular thinking within the ceramic arts. This approach not only minimizes the environmental impact of my practice but also adds a narrative layer to each piece, transforming waste into a work of art.

Each face in "Faces of Flame" tells its own story. The varying degrees of heat and the direction of the flames create distinct patterns and textures on the surface of the clay. Some pieces bear the marks of intense heat and rapid cooling, resulting in crackled glazes and rugged textures, while others display smoother, more uniform surfaces where the flames have gently caressed the clay. These variations capture the essence of the firing process, where control and unpredictability coexist, producing works that are both spontaneous and deliberate.

The inspiration for this series also draws from my experiences working with traditional potters around the world. In Bengal's Kumartuli Potters Colony, I learned the art of idol-making from China Pal, one of the few female artists in a predominantly male community. This experience taught me the value of preserving traditional techniques while infusing them with contemporary relevance. Similarly, my residency with Oongi Master Hyangjong Oh in South Korea enriched my understanding of wood-firing and its cultural significance.

"Faces of Flame" is not just a series of ceramic pieces; it is a reflection of my journey as an artist and researcher. It embodies my commitment to sustainability, my respect for traditional craftsmanship, and my passion for innovative ceramic techniques. Each piece is a dialogue between the material and the maker, the fire and the clay, the past and the present.

Through this installation, I aim to evoke a sense of wonder and appreciation for the beauty and complexity of wood-fired ceramics. I invite viewers to explore the intricate textures and patterns, to feel the energy of the flames that shaped them, and to reflect on the transformative power of art and nature. "Faces of Flame" is a celebration of the elemental forces that define ceramics and a testament to the enduring relevance of traditional practices in contemporary art.